Last few days before Wolves and Apples on Oct 3rd. Last chance to book.

As we enter the last few days before our October 3rd writing event, Wolves & Apples, some places are still available. The event is aimed at aspiring writers for children and young people, across books, TV and Theatre.

The latest version of the programme with some updated information is available here or download a pdf version here: Wolves&Apples Programme V2.0

Congratulations to Debbie Moon, writer on CBBCs ‘Wolfblood’, which has been nominated in the Best British Children’s Television category by The London Screen Writer’s Festival

For more information on Wolves&Apples click here.
To book your place visit: Wolves & Apples on Eventbrite

 

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3 question interview: Polly Nolan

This is the second micro interview with our Wolves & Apples guests to whet your appetite for the event on October 3rd.

We asked Literary Agent Polly Nolan these three key questions.

What was your favourite book when you were a child, and why?
I loved everything that I read so that’s almost impossible to answer!  Sometimes I wanted to read difficult, gritty books and sometimes I just wanted to escape from everything with books that were like chewing gum for the mind.  I haven’t changed as an adult. A tough day at work sends me running for easy escapism. Other days, I want to read something that will challenge me, educate me and make me think.

What is your top tip for writers?
If you’re writing for yourself, enjoy it.  If you’re writing in the hope of publication, avoid sending your manuscript to agents too early. Once you’ve typed ‘The End’, go back and rewrite the beginning. Polish the book. Proofread it.  Work on the bits that you know deep down aren’t right. And once you’re ready to send it out, don’t! Put it in a drawer for as long as possible first (ideally six months, though – understandably – most people find that virtually impossible).  Take it out and re-read it then. You’ll be amazed – and probably embarrassed – by what jumps out at you once you’ve had a bit of distance from it.  After you’ve addressed those problems (and then got people to whom you aren’t related to read it and give you an honest opinion), it’s probably ready to start sending to agents.  The biggest stumbling block for new writers when looking for an agent is that they send their work out too early.  Avoid this at all costs. It’s heart-breaking for the author, and for the agent.

What is the best thing about creating work for children?
As an agent and former publisher, I’m a step or two removed from actually creating work for children.  That privilege falls to authors, illustrators, playwrights, animators and scriptwriters – and I look at them all with envy!  I can still clearly remember the joy of reading a book as a child and then going out to find that door in the hill to another world, that talking animal, that magical creature hiding at the bottom of the garden, that baby bird with the broken wing . . . I still have the same thrill (without the freedom to explore, sadly) when a manuscript lands on my desk and transports me from the 200 unread emails and piles of editing to a different place.  To be part of an industry that gives children that thrill is brilliant, and being part of something that imparts to a child the sheer delight of reading – a gift that will stay with them forever and see them through the highs and lows of life – is humbling.

 

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3 question interview: Tanya Landman

We asked each Wolves & Apples guest three questions to tell you a little bit more about them.

First up is 2015 Carnegie Medal winner Tanya Landman.

What was your favourite book when you were a child, and why?
A. Stig of the Dump. It’s got everything – humour, mystery, adventure, magic. I read it to my children because I’d loved it so much and it was every bit as brilliant as I’d remembered – it made the three of us double up laughing.
 What is your top writing tip?
A. Daydream. Everything starts there. Get a clear picture in your head of who you’re writing about and what the setting is. If you can imagine it really clearly the writing will flow.
What is the best thing about writing for children?
A. Getting out and meeting the readers. They have so much energy and enthusiasm I’d  like to bottle it.

Interested in writing for children and young people? Book your place on our Wolves & Apples event.

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Debbie Moon on how she got the idea for Wolfblood

Writer Debbie Moon will be talking about ‘Wolfblood’ and writing for television at this year’s Wolves & Apples event, on 3 October. Debbie began her career as a director and first became interested in writing while adapting works for the stage. Her original series for CBBC, ‘Wolfblood’, won the RTS Children’s Drama Award 2012 and the second series was nominated for a total of 6 Children’s BAFTAs, an RTS award and a Televisual Bulldog award. Previous children’s credits include two episodes of ‘The Sparticle Mystery’ for CBBC. Her first novel, ‘Falling’, was long-listed for Welsh Book Of The Year, and she’s currently writing a children’s novel. She has also written a radio play, comics, and short stories. Book here Wolves & Apples

‘Wolfblood’ was inspired by a shelf of second-hand books. Which just goes to prove that writers can get inspiration from pretty much anything. I was standing in a charity shop, browsing the books, when my brain somehow read half of one title and half of the one next to it, producing a new title – Wolfblood. “Interesting,” I thought. “What’s a Wolfblood?” And thirty seconds later, I was dashing out of the shop to buy a notebook and pen and start scribbling…

Debbie Moon Website

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Debbie Moon on ‘Wolfblood’ and writing for television

Writer Debbie Moon will be talking about ‘Wolfblood’ and writing for television at this year’s Wolves & Apples event, on 3 October. Debbie began her career as a director and first became interested in writing while adapting works for the stage. Her original series for CBBC, ‘Wolfblood’, won the RTS Children’s Drama Award 2012 and the second series was nominated for a total of 6 Children’s BAFTAs, an RTS award and a Televisual Bulldog award. Previous children’s credits include two episodes of ‘The Sparticle Mystery’ for CBBC. Her first novel, ‘Falling’, was long-listed for Welsh Book Of The Year, and she’s currently writing a children’s novel. She has also written a radio play, comics, and short stories. Book here Wolves & Apples

‘Wolfblood’ was inspired by a shelf of second-hand books. Which just goes to prove that writers can get inspiration from pretty much anything. I was standing in a charity shop, browsing the books, when my brain somehow read half of one title and half of the one next to it, producing a new title – Wolfblood. “Interesting,” I thought. “What’s a Wolfblood?” And thirty seconds later, I was dashing out of the shop to buy a notebook and pen and start scribbling…

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Booking soon

Wolves and Apples, our annual conference on writing for children and young people, takes place in Leicester on October 3, 2015.  Keep an eye out here for more information on the programme.

Meanwhile, here’s a clue about one of our speakers…This author used to hide in the toilets at school discos. “The best thing about getting older is not feeling compelled to dance in public.”

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